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Events

Photography · Colour grading

The job

Catch the moment, then grade it up.

Work parties, Halloween, colleague headshots, behind the scenes on shoots, and my dad's wedding, which I shot.

Event photography is entirely reactive. You can't set anything up, you can't ask for a second go, and the light is whatever the room has. What you can do is know where to stand and be ready, then grade it properly afterwards, because the grade is where a snapshot becomes a photograph.

All the headshots on the site are mine too. Different job, same instinct: get the shot before anyone's ready for it.

Headshot of a colleague, office setting

A colleague's headshot, one of the office portraits I shoot.

Headshot of a colleague, office setting

Another one. I do all the headshots at work.

Studio portrait of a dog on a white background

Same studio lights, aimed at a dog for a change.

On set behind the scenes, colleague posing with an Airheads product by a pool

On set with a colleague, shooting Airheads pool floats.

Behind the scenes on a yellow-set product shoot with citrus fruit

Behind the scenes on an unreleased lemon and yuzu shoot.

The whole agency team waving for a group photo

The whole team, waving, because it's a gif.

Christmas party, someone's face being grabbed mid-laugh

Christmas party, mid-chaos.

Motion-blurred shot of people dancing at a Christmas party

Somewhere on the dance floor.

Halloween party, two people in full costume

Halloween: always someone in full costume.

Wide shot of a Christmas party in full swing, tree lights in the background

The room, before anyone remembers being photographed.

Dad and Amanda kissing outside St Paul's Cathedral

Dad and Amanda, St Paul's behind them. The one I'm proudest of.

Amanda from behind, mid-ceremony inside St Paul's

Amanda, mid-ceremony.

The interior dome of St Paul's Cathedral

St Paul's itself, while everyone else was looking at the couple.

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